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Presented as the fourth part of a series of experimental borderland novels in verse that began with The Codex Mojaodicus , Tonalamatl resignifies the titular Nahuatls sacred almanac as part of a digital baroque messycano aesthetic that leads us past an essentialized ethno-nationalist Aztln and through a plastic desert of WallMart in bloom and toward a divinatory realm where genome, codex, and map blur into the promise of soundsense, poems as scores for acts and scenes of becoming sequence songs | senseplay | translanguaging sounds | rhythmic prophesies. Also a scholar of borderlands literacies and rhetoric and an activist known for his #TacoLiteracy transnational foodways project, Alvarez approaches poetry as a way of making space social, of finding beauty and resistance in everyday, embodied translingual practices and reclaiming (in the spirit of Ofelia Garcas translanguaging pedagogy) an inverted world of frases & prosodies. Alvarezs verbivocovisual imagination is often dazzling, yet the moments of the book that haunt me are those when the formal fireworks make room for shadows, resonances, and silences, where the synaesthesias of the displaced are also utopian mindscapes across spacetimes borders: beauty of mountain jutting from sea | here | now | eagles & seagulls & nahuas as well / never bloodbyes | never snow. 30
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