Good used condition with honest signs of use throughout,
Cons of Baitcasting Reels Steeper Learning Curve Beginners often struggle with backlash until they develop proper thumb control and adjust the reels braking system correctly
Sufix 832 and PowerPro are known for holding knots well
Climate-controlled lanes

Hills, Melissa Jordan, Charles Lyons, Zachary McClendon, Dean Stanley Additional Ink & Paint: Virtual Magic Matte Cutters: Megumi Ishido, Hiroko Shimazu Animation Scanners: Akiko Sasaki, Yuichiro Taira BG Scanners: Megumi Ishido, Hiroko Shimazu, Megumi Ishido, Hiroko Shimazu Digital BG Scanners: Carolyn Guske, Robert Lowden CGI Effects Supervisor: Shinji Nasu CGI Effects Artists: Seiko Endoji, Ryoichi Ishigami, Ray King Supervisor, Key BG Color Correction: Ernest Pava Key BG Color Correction: Don Devine, David Dimatteo, Chris Staples Scanner: Thomas Pniewski Production Manager, Digital: Brant Hawes Digital System Manager: Kotaro Beppu System Administration: Joe Davenport, Robert Jones, William Munsterman, Itaru Naruumi Manager, Studio Technology: Stephen Toback Technology Analyst: Joel Halvorson Principal Software Engineer: David Adler Digital Production: T2 Studio Production[] Production Manager: Jennifer Blohm Production Supervisors: Ferrell Baron, Kristin Kakiuchi Rawnsley, Jennifer Lopez, Christopher Kracker, Marilyn Munro Production Associate: Mona Holtz Assistant to the Producer: Allison Roth Production Assistants: Matt Fitzsimons, Yukari Kiso, Takaari Matsudaira, Akira Matsumoto, Shinya Mitsuta, Tomomi Miura, Atsushi Niwata, Yoko Saito, Takashi Tanigunchi Production Office Coordinator: Martha Grace Production Secretary: Glenn Gallo Sheet Timers: Ken Boyer, Terry Lennon, Tom Mazzocco, Roy Meurin, Larry Whitaker Continuity Checkers: Barbara Donatelli, Lynn Singer, Kathrin Victor Production Accountants: Jim Cotton, Marai Simonian Talent Coordinators: Anne-Marie Pione, Aaron Drown, Julie Morgavi Script Coordinators: Leona Jernigan, Brian Sintay Sequence Producer: Ryan Robertson Press Attache France: Emilie Mason Social Marketing: Rick Schirmer Film Marketing: Scott Seiffert General Manager, Walt Disney Animation Japan: Motoyoshi Tokunaga Live Action: Simex Digital Studios - Santa Monica[] Director: Nick Bates Director of Photography: Allen Daviau Digital Artist: Christian Hatfield Producers: Michelle Gannes, Bob McGinness, Allen Yamashita Chief Lighting Technician: Larry Wallace Animation Director: Jean Perramon Animation Producer: Christina Cox CGI Artist: Christian Hatfield Post Production[] Director, Post Production: Mark Von Der Heide First Assistant Film Editors: Barbara Gerety, Denis Dutton Assistant Film Editors: Christine Lojko Haslett, Susan Odjakjian Apprentice Film Editor: Andrew Sorcini Additional Assistant Film Editors: Jesse Augustine, Jerry Edemann, Susan Edmunson, Jeremy Grey, Karen Hathaway, Barbara Gerety Additional Film Editing: John Royer Additional Storyreel Editors: Nancy Frazen, Tony Mizgalski Editors, Walt Disney Animation Japan: Makoto Arai, Yasunori Hayama Casting: David Wright Post Production Supervisor: Miguel ngel Poveda Post Production Coordinators: Mark Bollinger, Craig Sawczuk, Ken Poteat, Geri Bryan Track Reading: Skip Craig Sound[] Supervising Sound Editors: Louis L
