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Tokunaga, Derek Elliott Wilson Industrial Light And Magic[] Visual Effects Producers: Tom Kennedy, Ned Gorman Visual Effects Supervisors: Alex Seiden, John Knoll, Dave Carson, Stephen Williams, Dennis Muren, Joseph Letteri, Bruce Nicholson Second Unit Director & Cameraman: Joe Murray Visual Effects Art Directors: Ty Ruben Ellingson, Mark Moore Computer Graphics Supervisor: John Berton Visual Effects Editor: David Tanaka Digital Color Timing Supervisor: Bruce Vecchitto Sabre Group Supervisor: Daniel McNamara Digital Scanning Supervisor: Joshua Pines Visual Effects Coordinators: Margaret Lynch, Lisa Todd Computer Graphics Artists: Karen Ansel, Mark Austin, Amelia Chenoweth, Terry Chostner, David Deuber, Natasha Devaud, Selwyn Eddy, Howard Gersh, Paul Giacoppo, Joanne Hafner, James Hagedorn, Carol Hayden, Matt Hendershot, Guy Hudson, Stewart Lew, Jodie Maier, Greg Maloney, Stuart Maschwitz, Julie Neary, Kerry Nordquist, Scott Pasko, Damian Steel, Danny Taylor, Paul Theren, James Tooley, Chris Townsend, Timothy Waddy Digital Matte Artists: Paul Huston, William Mather, Yusei Uesugi Sabre Artists: Rita Zimmerman, Chad Taylor, Grant Guenin Software Development: Christian Rouet, Rod Bogart, Brian Knep Production Engineering: Fred Meyers, Gary Meyer, Marty Miramontez Digital Plate Restoration Artists: Alan Bailey, Scott Bonnenfant, Corey Rosen Negative Supervisor: Doug Jones Assistant Visual Effects Editors: Angela Leaper, Forest Key, Scott Balcerek Digital Production Assistants: Kela Hicks, Ronn Brown Animatics Artist: David Dozoretz CG Resource Managers: Nancy Jill Luckoff, Lam Van To CG Production Manager: Suzie Vissitzky Tooley Live Action / Visual Effects[] by Rhythm + Hues[] Executive Producer: Lee Berger Visual Effects Producer: Joyce Weisiger Line Producer: Gary Nolin Director of Photography: Tim Shurstedt First Assistant Director: Bill Hoyt Chief Technologist: Mark A

Big muskies are smart, though, if a fish can be intelligent

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When Im guiding, I go straight to spots I have had success in the past, so Im not getting hung up near as much as when I am scouting new haunts on my own