Roe Ethridge – Rude in the Good Way Oblique He varied the drying intensity

He varied the drying intensity and duration

Olivia Noss

113 color plates

Four C-type prints

the archaeologists of Pompeii and its director Gabriel Zuchtriegel

Roe Ethridge – Rude in the Good Way Oblique He varied the drying intensityWorking through his characteristically oblique, offhand style, Ethridge lets sexuality, identity, seduction and the camera drift into the same plane, never fully separating one from the other. Loosely woven fugues of images converge, always cheekily winking toward something just out of frame: technicolor flash typologies of mouldy peaches, hyper composite images of Lindsay Lohan, and Chanel still lifes both luxurious and lurid move alongside intimate,