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An essay by curator Douglas Fogle places the Desert Paintings in dialogue with Waiting for Godot
Since the 1960s
The book includes over 125 color plates illustrating Quinn’s paintings
a collaboration with director Oliver Hirschbiegel that tracks the relationship between the Dutch Post-Impressionist and his models
Endless Painting presented paintings dating from 1944 through 1986 and two sculptures by the pioneering artist
Nathaniel Mary Quinn: Split Face Laura Bruni An essay by curator DouglasThis book was published on the occasion of Nathaniel Mary Quinn: Split Face at Museo Novecento and Museo Stefano Bardini in Florence, the artists first solo exhibition in Italy. Split Face juxtaposed Quinns recent paintings, many of them not previously exhibited, with works by Renaissance artists and twentieth century masters including Donatello, Luca della Robbia, Felice Casorati, Virgilio Guidi, and Carlo Levi, among others. The catalogue reproduces
