Jean-Michel Basquiat: Return of the Central Figure Plate Jacqueline Rose Polanszky uses salvaged industrial materials

Polanszky uses salvaged industrial materials such as acrylic glass

thorns delineate the shape of enlarged human eyes

and Carnegie Museum of Art

Jeff Koons contributed a reflection on “Picasso and the Objective” and Roberto Otero imagined a conversation between himself and Picasso

he weaves between recognizable human consciousness and expression

Jean-Michel Basquiat: Return of the Central Figure Plate Jacqueline Rose Polanszky uses salvaged industrial materialsProduced by Ligne Blanche in Paris in collaboration with the Estate of Jean Michel Basquiat, this Limoges porcelain plate is based on an untitled painting from 1983 by Basquiat. Here, the artist depicts himself as an oracle, sporting wide eyes and dreadlocks and spouting his inner musings. Basquiat also marked his image with an upward pointing arrow, perhaps signifying the transition from external observation to internal contemplation. With the