Takashi Murakami: JAPONISME → Cognitive Revolution: Learning from Hiroshige Archival inkjet Rafael Alberti

Rafael Alberti

and purple acrylic paints over unprimed canvases laid directly on the floor of his studio

Question Mark is consistent with Artschwager’s extensive use of synthetic materials as tools for the exploration of meaning

illustrated essays by Erika Balsom and Simon Baker

” said Korine of the project’s appeal

Takashi Murakami: JAPONISME → Cognitive Revolution: Learning from Hiroshige Archival inkjet Rafael AlbertiThis oversize poster featuring Hiroshiges 100 Famous Views of Edo: Japonisme ReconsideredSuido Bridge and Surugadai (202425) was produced in 2025, in conjunction with Takashi Murakami: JAPONISME Cognitive Revolution: Learning from Hiroshige at Gagosian, West 21st Street, New York. The exhibition juxtaposed 121 canvases that Murakami produced in response to 100 Famous Views of Edo (185658), a series of ukiyo e prints by Utagawa Hiroshige (17971858),