Therefore I end up treating them like found objects and arranging and positioning them in very different contexts from what their possible historical resonance might suggest
BV: The contrast between the old and newer compositions is fascinating but for me actually not too marked or obvious
but the relationship between the two is difficult to discern
and more sustained
refreshed by its absence
Jürg Frey Ostrava New Orchestra Therefore I end up treating1. The sound never has walls (2023 2024) 19: 42 Renata Rakov, clarinet Ian Mikyska, electric guitar Milan Krnk Jake, violin Luan Gonalves, double bass 2. Fleetingness (2024) 12: 33 asamisimasa: Morten Barrikmo, bass clarinet Tanja Orning, cello Anders Frisdal, electric guitar Hkon Stene, percussion Prague Quiet Music Collective: Renata Rakov, clarinet Ian Mikyska, electric guitar Milan Krnk Jake, violin Luan Gonalves, double bass 3. Longing Landscape