伊勢崎陽太郎 日々ぐい呑 青唐津 which are then used as

which are then used as transfer prints on the surface

The contrast between the flower petal-like shape and the kneaded ceramics creates a striking marble pattern

and the other is a solid ash glaze with scorch marks on the bottom

Its gently rounded

土岐市の陶芸家、塚本治彦さんの鳴海織部ぐい呑。織部の中でも装飾性の高い鳴海織部を、作家の意匠で創り上げています。荒々しい削り跡に口縁から流れる織部釉が溜まり景色を作ります。見込みはストライプが表現されており、非常に遊び心のある逸品です。

伊勢崎陽太郎 日々ぐい呑 青唐津 which are then used asHibi Herame Guinomi, a new work by Yotaro Isezaki, who creates a distinctive style through the use of transfer techniques and AI. This strikingly contemporary piece employs screenshots taken from a full year of photographs stored in a smartphone gallery, which are then used as transfer prints on the surface. The boldly scaled, powerful form and vigorous carving are set in sharp contrast with the transferred imagery, resulting in a sake cup rich in