Flint, Ink, deeds, words, images hypha-gallery-farringdon the painting remains deliberately opaque

the painting remains deliberately opaque

the piece draws viewers into its radiant complexity

There’s a sense of ambiguity in both the palette and composition—not to confuse

a subtle breeze

this human-animal hybrid retreats into her shell and hopes it will all blow over

Flint, Ink, deeds, words, images hypha-gallery-farringdon the painting remains deliberately opaqueFlint has a history that I examined in the installation for the Diaspora Pavilion, commissioned by the ICF. This stone is formed in the burrows of some of England's earliest life forms . The stones were used to take common land from commoners and cut into weapons as England's first industry. Later, they were cut to spark early guns in any condition, anywhere in the world, facilitating colonial conquest. This gun shaped flint is combined with 18th