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Tom Wesselmann: Vivienne Plate Billy Martin was a reflection on his

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was a reflection on his travels in China

from his earliest childhood drawings to some of his final paintings

and Piero Manzoni that bear relation to Maekawa’s material manipulation and elaborate a greater global context for his work

and Valencian by writers including Ana María Torres

The catalogue includes texts by French philosopher Bruno Latour and exhibition curator Leanne Sacramone

Tom Wesselmann: Vivienne Plate Billy Martin was a reflection on hisProduced by Ligne Blanche Paris, this Limoges porcelain plate features a reproduction of Tom Wesselmanns Vivienne (1985), preserving the artworks circular format. Produced in enamel on cut out aluminum, Vivienne exhibits the hallmarks of Wesselmanns Pop style. Representing a reclining nude figure, the paintings cohesive composition of bold colors and tapered shapes foregrounds both the artists roots in modernist abstraction and the overt eroticism of

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