the harmonic language broadening
but only to be resealed
Even when both ensembles look on the page as if they are notated similarly
And did your compositional approach change in any way during the 5-year period when you were composing these pieces
and I have a pedal steel piece for instance
Magnus Granberg Julius Eastman the harmonic language broadeningDisc One Holde Trume, kehret wieder! Version for quartet, by Nattens inbrott 44: 44 Vilde Sandve Alnaes, violin Inga Margrete Aas, double bass Magnus Granberg, prepared piano Erik Carlsson, percussion Disc Two Holde Trume, kehret wieder! Version for septet, by Skogen 45: 01 Anna Lindal, violin Leo Svensson Sander, cello Stina Hellberg Agback, harp Erik Carlsson, percussion Magnus Granberg, prepared piano Henrik Olsson, objects, friction Petter