Morton Feldman Catherine Lamb Maybe it’s the recording that

Maybe it’s the recording that separates this version from the others I’ve heard

search for the intimacy you mention within an orchestra and thus convert it as an interesting paradox

with the musicians of the Grizzana Ensemble plus friends in mind

which serves to enable and colour the JI tuning

Instrumentally this is an intriguing departure from the beaten track

Morton Feldman Catherine Lamb Maybe it’s the recording thatDisc One: 1. Two Pianos (1957) 10: 00 John Tilbury & PhilipThomas, pianos 2. Four Instruments (1965) 11: 58 John Tilbury piano, Anton Lukoszevieze cello, Mira Benjamin violin, Rodrigo Constanzo chimes 3. Vertical Thoughts 1 (1963) 7: 58 John Tilbury & Philip Thomas, pianos 4. Between Categories (1969) 11: 44 John Tilbury & Philip Thomas pianos, Anton Lukoszevieze & Seth Woods cellos, Mira Benjamin & Linda Jankowska violins, Rodrigo Constanzo & Taneli