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The poster depicts a ballpoint pen in a diagrammatic visual language that brings to mind the deceptive simplicity of early Roy Lichtenstein or the mechanical drawings appropriated by the Dadaists
in conjunction with Willem de Kooning: The Last Beginning at Gagosian
among other personal and musical references
Taking portraits by Urs Graf
this career-long survey traces Picasso’s engagement with the ancient rituals and narratives of his native Mediterranean
Gagosian Quarterly: Winter 2019 Issue Natasha Stagg The poster depicts a ballpointThe Winter 2019 issue of Gagosian Quarterly features a selection from Christopher Wools Westtexaspsychosculpture series on its cover. Inside the issue, Richard Hell examines the evolution of Wools art practice, looking specifically at the artists move to Marfa, Texas; William Whitney takes a close look at recent work by Theaster Gates; and Gregory Zinman dives into the archives of Nam June Paik to explore his writings. Conversations with Huma Bhabha,
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