previously I wanted to continue the theme of fruit for this project
shrinking and morphing the landscape into body sized forms
I work on thirty or so paintings at a time which range in scale from intimate to large
Enacting the practice of carving a heart into a tree trunk
Just as ancient fossils are silent
Entwine hypha-gallery-mayfair previously I wanted to continueAn intimate tangle of legs, stockings, and high heels. choreographed and chaotic, the figures are cut, composed tightly at the thighs, their interaction focused entirely on the language of legs: bruised, scraped, flexed. They both have an edge between closeness and entrapment. A glass lies spilled on the red floor, hinting at aftermath or interruption. Beneath them, a dark feline presence jumps through the legs, aware of the audience and our gaze.