Ed Ruscha: Angel Candle so why not S-I-N

so why not S-I-N

The catalogue explores Whiteread’s engagement with the formal language of Minimalism

gestural canvases overlaid with neon tubing that brought attention to her practice in the 2010s

The project confronts the abuses of the criminal justice system

A companion title to the Serpentine catalogue

Ed Ruscha: Angel Candle so why not S-I-NPrinted in Venice, California, by Hamilton Press on Rives BFK paper, Ed Ruschas lithograph Angel is one of a small number of color trial proofs for the edition. The word is arrayed on the diagonal that the artist frequently uses to, in his words, put speed into a flat, static picture, and the brilliant red hue lends its fanciful Gothic serifs a further charge. While the lithograph was produced to benefit Project Angel Food, a nonprofit organization