Evan Johnson John Tilbury I sat down one day

I sat down one day with the director's little baby Iwo on my lap

What was the recording process for this box set like

This isn’t to say that I think dead-wall reveries is cinematic in its logic—or Marxist in its politics

so it was an invaluable opportunity to get feedback from someone I respect

Mark Knoop

Evan Johnson John Tilbury I sat down one day1 interlude 8: 50 2 several canons 9: 20 3 in modo parantetico 4: 21 4 interlude (double) 10: 01 5 in modo parentetico 5: 28 6 interlude (dust) 11: 10 Interview with Evan Johnson What is the background to the piece? Why viola d'amore, and it's a great title but where does it come from? The title is a bit unusual, for me, in that most of my titles are little snippets of reference to external thingsworks of art, other (usually medieval ish) music,