布下翔碁 embracing-damage 033 ゴブレット carvings on the lower part

carvings on the lower part of the body

Milky blue glaze flows like a waterfallThe work was transformed into a green covered with ash

Behind the beautiful flower-like shapes

A masterpiece by Kyoto potter Hiro Tsujihiro

golden ash-glaze kiln effects spread softly

布下翔碁 embracing-damage 033 ゴブレット carvings on the lower partembracing damage Tea Bowlby Shogo Nunoshita This latest work by Shogo Nunoshita reconstructs fragments of early Imari porcelainsome softly tinged with blue and layered as if leaning into one anotherthrough the kanshitsu (dry lacquer) technique, finished with pure gold maki e. The joined areas, as well as the boundaries between ceramic and lacquer, are bridged by kintsugi like metal staples rendered in lacquer and gold, imbuing the piece with a strong