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It’s about continuity
features photographs selected from the Polish National Archive
This work is part of an ongoing series shaped by my engagement with the desert as both physical site and poetic
it acts as a spatial prosthesis: a conduit for sensing tension
where my mother is from
Extraction Abstraction (Central Africa) hypha-gallery-catford It’s about continuityThis work belongs to Extraction Abstractions, a series that appears abstract but is rooted in early 20th century British economic maps showing locations for extracting resources such as iron, tobacco, copper, and opals maps that viewed the planet as a storehouse for exploitation. The paintings develop through layered impasto and oil glazes, echoing geological strata referenced in the maps. By transforming capitalist diagrams that reduce nature to
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