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optical phantoms and refracted moons are diagrammed with the solemnity of heresy
the Martyr President
where draped catafalque and silent crowds rendered in careful line work bear witness to a republic still bleeding from Ford's Theatre nineteen days prior
Abraham Lincoln 1865 — a portrait fixed in the final year
George Washington
Henry Clay 1844 framed typewriter optical phantoms and refracted moonsHenry Clay 1844. A campaign portrait of the Great Compromiser in the year his third bid for the presidency faltered against Polk and the gathering tide of annexation Clay rendered in the steady gravity of Whig lithography, a statesman of the Senate caught at the threshold of a country choosing expansion over caution. About the Source Bella Frye sources artifacts from the great American historical archive the Library of Congress, the National Archives,
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