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of Pierre Moulu’s Missa Alma redemptoris mater
these ‘well-tempered’ (and ‘well-known’) chords are doubled
or might or could embody
In most of the pieces I’m playing guitar
the brightness of a chord
Morgan Evans-Weiler & JPA Falzone Jürg Frey of Pierre Moulu’s Missa AlmaPenumbra I 8: 11 Penumbra II 11: 12 Penumbra III 13: 32 Penumbra IV 10: 28 Morgan Evans Weiler, violin & electronics J. P. A. Falzone, prepared piano & celesta INTERVIEW WITH MORGAN EVANS WEILER Can you tell us how Penumbra came into being? To what extent was it pre planned or pre composed, and to what extent are you and James improvising? Some of the material for the piece originated around 2020 when I was in graduate school, mostly the melodic
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