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No. 1 (1949) - Large Art Prints Type:Large Canvas Print was a complement to The

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was a complement to The Starry Night

the Kalighat paintings developed to reflect a variety of themes

Bird swimming on what appears to be golden water due to the sunlight

This subtlety of line is Picasso's unique contribution to expressionism

Her visible right eye appears sightless

No. 1 (1949) - Large Art Prints Type:Large Canvas Print was a complement to The"No. 1 (1949)" by Mark Rothko is one of the artists earliest examples of his mature artistic vocabulary, dating from the pioneering year of his practice. The importance of "No. 1" to Rothkos practice is underlined by the fact that he guarded the work and kept it in his possession until his untimely death. A glowing vision of rich orange and lemon bright yellow, punctuated at its core by a dramatic zone of ochre strokes upon a bar of vaporous blue and

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